Ferrari Ki Sawaari is the story of school-going Kayoz and his dream to play cricket at the Lords Cricket Ground in London. But there are certain factors that keep him away from this dream – his grumpy old grandfather (Deboo) and Sachin Tendulkar’s Ferrari. In the story that unfolds you will see Boman Irani play the role of a Parsi to perfection. Sharman Joshi as Rustom aka Rusy again portrays the role of a simpleton who swears by all the rules made by the world and the traffic police. Ritwik Sahore plays the role of Kayoz, Rusy’s son and an ace cricketer. But alas! For going to Lords you need something more than just talent. You need Rs 1.5 lakhs. Oops!
In this sweet slice-of-life flick you will find yourself running along with Sharman and Boman as they chase Kayoz’s dreams and deal with his disappointments. You are often reminded of the times that you hang on every word as your grandma tells you a story, as you sit at her feet and stare at her with wide eyes and a grin plastered on your face. Yup, Ferrari Ki Sawaari does that to you!
Before the movie released, we heard how VVC wanted to do something different. But did he manage to do it? Partially, yes. While the chemistry between Boman and Sharman reminds you of their 3 Idiots days, the never-heard-before storyline gives this one a refreshing touch. Also, the way FKS takes digs at the thoughtless banalities of big cities is fresh and commendable.
Ferrari Ki Sawaari is a delightfully cute movie that will surely tug at your heart strings. Enjoy it with a cup of hot cocoa and aaaaaaawww happily as the rain pours down outside. Cheers!
Via:bollywoodlife

Highway is an upcoming Nepali movie which has been directed by Deepak Rauniyar that will easily raise a lot of expectations. Now one doesn't expect much from Nepali actors and actresses but when there's such a strong cast (consisting of Karma, Saugat Malla, Dayahang Rai, Eelum Dixit, Reecha Sharma etc) behind the movie we have to think twice before passing it by. Not only that but observing the poster of Highway which was done by Swapnil Acharya leaves one enamored by what's yet to hit them. The marketing team behind the movie have done their job well as the online release of the trailer garnered over 5000 hits in less than 24 hours; that's pretty amazing. 




‘Highway’ is set to release on 15th June 2012, (असार १ गते, २०६९)from Nepal. Before the release, Highway will be premiered on 14th June (जेठ ३२ गते). Distributor and producer Narendra Maharjan, who distributed the ‘Loot’ will be distributing  the movie Highway.

Every once in a while, there comes a movie that leaves you spellbound, because it makes you look into places in your heart that you would dare not on your own. It makes you laugh, cry and connects you to a part of yourself that you’re either too busy or too scared to explore. This time, it happens to be a Nepali movie. A very well made Nepali movie indeed.
Apabad, which means to be an exception, is the story of a young man called Suyog and his journey into the unknown which eventually leads him to figuring out his purpose in life. An ironic twist of fate leads him to the destiny that he runs away from, and thus begins the coming of age story of an exception to what society deems normal, who doesn’t even know he is one until he loses everything and is forced to look into himself.
One of the things that peaked my interest even before I watched Apabad was when I read somewhere that the movie is based on the belief that when there is nothing left to burn, you set yourself on fire. It truly is the story of the average Nepali. A story of despair and a lack of belonging that we’ve all felt at some point in our lives. Of course, not all of us go to lengths that Suyog does, in order to find that peace of mind, that sense of serenity. However, he represents the lost generation of Nepali youth, spread around the world looking for a place to belong, because our own country is too caught within itself to help us figure life out.
The movie is inspired. It definitely is. But if you think it was a wasted effort just because it was inspired from a hundred places, try writing a story. I have, and I know that so many times I will write something on paper that I know I’ve heard before, but I can’t help it. My life, and all of our lives have an inspiration somewhere. Storytelling is an art for sure, and not everyone can write great stories. Fewer can present it in a movie screen and bring it to life. Sometimes these will be stories that remind you of your own story. Sometimes, these will remind you of something you heard far far away. Either way, if a movie can tell you a story that you’ve heard a thousand times before and still move something in you, that right there, is a successful movie. And Apabad, to me, is a success in every sense.
Having said that, I think Apabad would have been a measly effort to tell a story if it hadn’t been so well supported on the shoulders of Raj Ballav Koirala. I have to tell you, I am now officially included in the list of Raj Ballav Koirala admirers. This guy is so effortlessly convincing, weather he’s crying or laughing or dancing without a shirt on, every time he comes on screen you forget that you’re watching a Nepali movie. The only other person whose star power can be felt is Rabi Giri, who is equally good if not better in his role as the beaten down father of a clueless son. Nisha Adhikari is overshadowed and can barely make her presense felt, which is ironic because the movie itself is largely based on the relationship between Sunanda and Suyog, played by Nisha and Raj respectively. The only other two characters seen in the movie are the loving mother and a book publicist. I think a few more characters would have added dimensions to the movie.
All in all, a wonderful ride of emotions you do not want to miss for the world. We’ve heard the music and it is exceptional but equally good is the poetry that Subash Koirala wrote. Dark humor that is the soul of the movie, is for those who understand the irony of life; when it is so awful that is funny. For the rest of the world, a decent movie well worth the two hours they’ll spend at the theater.
Via:hamrodallas

A new trend began in Nepali film industry became  success of 'Loot' and 'Chapali Height'.Now a days Nepali film make in based on sex and essential dialogues.Like this a new Nepali movie "The Last KIss "  is also based om sex.Sovita Simkhada and Puskar Thapa are lead actors in the film which is based on sex. The film is directed by BB Phuyal. 
Board halts 'The Last Kiss’ release

As for Kirk Cameron, he hasn't had a very fruitful film career, as the vast majority of his work has been restricted to television. During his Growing Pains heyday in the '80s, Cameron was seen in only a handful of mainstream releases, all but one box-office bombs — e.g., Douglas Day Stewart's romantic drama Listen to Me (1989), opposite Jami Gertz, and the Robin Williams-Kurt Russell comedy The Best of Times (1986). The second phase of Cameron's film career is comprised of a few movies geared to Evangelical Christian audiences in the United States.
In Vic Sarin's Armaggedon-themed Left Behind (2001), Cameron plays television journalist Buck Williams, described by the New York Times' Stephen Holden as "the most golly gee-whiz young journalist to appear since Jimmy Olsen stalked Superman." For all his naiveté, Williams uncovers a world domination plot led by the Antichrist himself: the United Nations Secretary General. Brad Johnson and Cameron's real-life wife, Chelsea Noble co-star.
"The movie's catalytic event is the Christian Rapture: 142 million people around the world are abruptly transported directly to heaven, leaving behind their clothes and personal belongings," explains Holden. "… It doesn't dawn on most of those left behind until late in the movie that the disappearances are biblical prophecy coming true. The moment they grasp the truth, they tend to fall to their knees in prayer as helpful clerical friends, citing chapter and verse, provide biblical confirmation."
Left Behind's paltry $4 million box-office grosses didn't prevent Cameron from returning as Buck Williams in two sequels: Bill Corcoran's Tribulation Force (2002) and Craig R. Baxley's Left Behind: World at War (2005), both also bringing back Brad Johnson and Chelsea Noble. Additionally, 1982 Oscar winner Louis Gossett Jr (An Officer and a Gentleman) plays a president in the latter film.
Cameron's biggest Christian box-office hit, however, was Alex Kendrick's Fireproof (2008), in which he plays a firefighter struggling to save his marriage. Although overseas grosses were nil, Fireproof took in $33.45 million in North America. Obviously, the religious-romantic drama was no blockbuster, but if it did indeed cost $500,000 as reported it was an undeniable hit — depending, of course, on how much was spent marketing / distributing the film.
Overall, Cameron's most successful movie by far remains Rod Daniel's Like Father, Like Son (1987), in which the 17-year-old Cameron co-starred opposite Dudley Moore. In the US/Canada, the identity-switch comedy brought in $34.37 million, or about $70 million today.
source: Box Office Mojo.